Toraja Art

Tana Toraja, literally "Torajaland", is a highland region of South Sulawesi, Indonesia.















Bright green rice terraces, tall limestone outcrops and bamboo graves are set against a backdrop of blue misty mountains. Traditional Tongkonan houses stand proudly in this setting. These intricately decorated houses with upward-sloping roofs are the center of all Aluktodolo ( Torajan religion before the coming of missionaries; the ancestors belief ) rites; from storing the harvest in the carved rice barns, "alang", to slaughtering sacred water buffaloes at a week or more-funeral ceremonies. Tana Toraja's beauty is also reflected in its people. Although they are devoutly Christian ( there are small number of Moslems especially in the southern area), they combine this religious belief with magic and mysticism. Secure in their ethnic identity, they welcome visitors to witness their ceremonies.


Tana toraja is a sleepy rural region cultivating rice, cacao, coffee, and clove most of the year. Toraja's arabica coffee is known as one of the best in the world. These all change during the dry season,, from June until September, when Children are home from school, the rice is harvested and it's time for a "rambu solo' ", a complex funeral ceremony of the ancestors. During the time, Rantepao is transformed into a major tourist resort for national and international visitors.

Culture

The land of the Toraja people, many notionally Christian but most in practice animist, is above all famed for their spectacular (and rather gruesome) burial rites. After a person's death, the body is kept — often for several years — while money is saved to pay for the actual funeral ceremony, known as tomate. During the festival, which may last up to a week, ritual dances and buffalo fights are held, and buffaloes and pigs are slaughtered to ferry the soul of the deceased to the afterlife (puya). The deceased is then finally buried either in a small cave, often with a tau-tau effigy placed in front, inside a hollow tree or even left exposed to the elements in a bamboo frame hanging from a cliff.
Tana Toraja has unique culture set in stunning scenery. Globalisation and tourism may have impact, but if you venture away from the tarmac roads you will find soon a way of life that has not changed much in the last 100 years.

Tongkonan











Three tongkonan in a Torajan village.

Tongkonan are the traditional Torajan ancestral houses. They stand high on wooden piles, topped with a layered split-bamboo roof shaped in a sweeping curved arc, and they are incised with red, black, and yellow detailed wood carvings on the exterior walls. The word "tongkonan" comes from the Torajan tongkon ("to sit").
Tongkonan are the center of Torajan social life. The rituals associated with the tongkonan are important expressions of Torajan spiritual life, and therefore all family members are impelled to participate, because symbolically the tongkonan represents links to their ancestors and to living and future kin. According to Torajan myth, the first tongkonan was built in heaven on four poles, with a roof made of Indian cloth. When the first Torajan ancestor descended to earth, he imitated the house and held a large ceremony.


The construction of a tongkonan is laborious work and is usually done with the help of the extended family. There are three types of tongkonan. The tongkonan layuk is the house of the highest authority, used as the "center of government". The tongkonan pekamberan belongs to the family members who have some authority in local traditions. Ordinary family members reside in the tongkonan batu. The exclusivity to the nobility of the tongkonan is diminishing as many Torajan commoners find lucrative employment in other parts of Indonesia. As they send back money to their families, they enable the construction of larger tongkonan.

Wood carvings












A Torajan wood carving: each panel symbolizes goodwill.
The Toraja language is only spoken; no writing system exists. To express social and religious concepts, Torajans carve wood, calling it Pa'ssura (or "the writing"). Wood carvings are therefore Toraja's cultural manifestation.
Each carving receives a special name, and common motifs are animals and plants that symbolize some virtue. For example, water plants and animals, such as crabs, tadpoles and water weeds, are commonly found to symbolize fertility. The image to the left shows an example of Torajan wood carving, consisting of 15 square panels. The center bottom panel represents buffalo or wealth, a wish for many buffaloes for the family. The center panel represents a knot and a box, a hope that all of the family's offspring will be happy and live in harmony, like goods kept safe in a box. The top left and top right squares represent an aquatic animal, indicating the need for fast and hard work, just like moving on the surface of water. It also represents the need for a certain skill to produce good results.
Regularity and order are common features in Toraja wood carving (see table below), as well as abstracts and geometrical designs. Nature is frequently used as the basis of Toraja's ornaments, because nature is full of abstractions and geometries with regularities and ordering. Toraja's ornaments have been studied in ethnomathematics to reveal their mathematical structure, but Torajans base this art only on approximations. To create an ornament, bamboo sticks are used as a geometrical tool.

Some Toraja Patterns












































source : wikipedia